11-09-10

Madness in the Air

“Security is mostly a superstition. It does not exist in nature…. Life is either a daring adventure or nothing.” ~ Helen Keller

If you were in the Beaver Library last night, you probably saw a girl who looked relatively frazzled. She was aimlessly wondering the stacks pulling books, flipping through the table of contents, re-shelving with meticulous OCD, moving to the next book. Lather. Rinse. Repeat. She collapses in front of the vintage Dear Abby and Anne Landers books, gets up looking white as a ghost as she looks for a connection between the archaic advice columns and web 2.0. She moves back to the business books. On to the self help books. The children’s books. Rushing frantically around looking for a lost notepad and proposal on the shelves somewhere. Fidgeting at a table, staring blankly ahead at the gorgeous river surround by hills of fall foliage struggling against the winter breeze. Looking for answers amongst the shelves has always been a favorite past time of mine.

I wasn’t looking for myself this time. I found her. You just have to get really, really lost to find some really neat things. I was looking for patterns and inspiration. I was looking for structure. The shelves became the new host to my inspiration raid. It was delicious. Harrowing and delicious. Stick around the Madness for some interesting news in the future. More travels, more trouble. Just how I like it.

11-02-10

So Much for Silence

Dear Madness,

So much for the silence. I’ve been writing in you for just a few weeks and I am already getting ready to exceed the readership I had to begin with. Why are you all here? Is it really that interesting? Who are you? Why do you stalk me? Fine. C’est la vive. I’m not sure I want to be silent anymore. Fine, fuck it, I’ll tell you what you are all here to hear.

So here it goes:

Book-Color Histogram.

I remember working at the subsidy publisher out of college and looking at my boss like he was insane when he said his goal one day was to write a book. Why the hell would anyone want to write a book after rolling around in the trenches of subsidy day after day?

The girl who has helped published 700 of the worst books on the planet hangs her head in shame. Here I am, 7 years later: Hello, my name is Shell and I’m writing a book.

I’m writing a relationship self help book since that is what most of you come to me with questions on in the first place, not marketing, not branding: dating. But the irony is, most of the answers to your questions come from what I’ve learned in marketing anyway. So I’m writing it all down: every last delectable secret except for how many “friends” I am actually up to at this point. (I’ll never tell). I’m just tired of you guys telling me I should.

All I can envision in my head is my query letter winding up on SlushPile Hell. What if I end up inducing the kind of nightmares I had while working at the publishing house on someone else? I shudder remembering the mental day I took where I spent the whole day hallucinating in a fever on my sofa to visions of potential “best sellers” that might have hit my desk in the near future. I think one of them was How to Touch a Dead Body. I can still see the cover in my mind. <*cringe*>

To fend off the spins of “what if” induced nausea, I keep repeating “Best Seller. Best Seller. Best Seller” to myself in some sort of neurotic OCD Tao exercise. I can do this, if only because I never have.

Luv, Shell

10-14-10

Paper Rose

Digging through a box of old papers I found a poem written for me by a random boy on a train one day on my way back to college in 2001/2002. I was bringing a flower back to college with me. I think he handed it to me as I was getting off the train and I don’t remember ever thanking him. Of course he signed it with the most common name in the world (Michael Rogers) and a hotmail address, so tracking him down would be almost impossible. So Mr. Rogers, thanks for the smile.

Paper Rose

A page from a book, mine
Is like a page from my life
Fitting between the others
Each line worth the time it took

My day of pale expression
There was a bookmark placed
When a flower, a rose
Returned to me my breath

An exchange worth more
Than this paper can afford
But you already have a rose

On a day of blind direction
I was offered a sign, so discreet
From a traveling soul, an Angel
On this journey, I was to meet.

-Michael Rogers (michal2121_at_hotmail)

02-06-09

Isabella Street:

Sitting in the graveyard, I’ve caught the interest of a large, tawny doe. She walks towards me until she is no less than eight yards away from me

02-06-09

Isabella Street: Metaphorically Metaphorical

Warm breezes trick the mind into believing its late spring. Young October and the sun was hot. The lighting in the city gave everything a fake quality, moving images captured on a thin layer of celluloid that allowed everything to continue with an air of suped up contrast. The world was a banal photograph, a study of Urban Life in mid-afternoon. The world moved together as though it fell from the gallery wall and forgot to stop once it hit the floor, defying the laws of inertia.

The sounds of life wafted through the air, tumbling along in the breeze, the soft down of dandelion. In the distance I could hear Jazz music, sweet and intoxicating. Immediately my soul lifted into euphoric trance. I ventured down the street, the sound increasing with every step. The sheer volume of it, the immensity of it’s soul carried me closer. I had no worries, no thoughts on my mind a side from the desire for more. Crazy smile on my face, crazy smile from my eyes. Needed more, needed to feel more.

I came across it here, at this point. Strawberry Way, a small alleyway cuttingĀ  across a few streets in town, no bigger wide than to fit a car. Strawberry Way was a one way alley connecting The Boulevard with Fifth Avenue, but today in casual warmth, this Friday it was blocked from both ends by flower vendors, balloons, tables filled with people.

In the middle of all this sat the essence of soul itself, the life blood of this afternoon. A band of four black men played the most glorious jazz one couldĀ  ever hear. The pure sound itself was enough to either bring you to your knees or elevate you into the air in frenzied, ecstatic dance.

But the sight, the sight set it all in stone. The players were pure electricity: pure spirit, shapeless, formless, transcending the flesh that held them captive on this earth. The muses themselves played through them, Dionysus fueled the moment and the gods watched. The came down from their untouchable heights and stood right in the middle of those mortals and watched. These men, in their impromptu festival, were playing for the gods.

Notes: oh gag. I was so young and naive and briming over with utterly banal metaphor.

02-06-09

Isabella Street: Train Ride Exercise 1

The lights flicker off and on and off again. He sits beside me telling me stories of Portugal. He takes out his wallet, shows me three dried rose petals pressed between the plastic of a picture sleeve. The lights flicker again as he describes the wedding where he came across the roses. I wath the man infront of me practicing lines from a worn script, two middle aged men infront of him carry on a conversation in some language or another, the sound of the train drowns out any distinguishable syllables.

02-06-09

Isabella Street: Dear Matt

Dear Matt,
I don’t know what to say to you. I sit here, in the cafe’ of the bookstore down the road from my office. I’m exhausted and starving. I’ve survived the last week on a nauseous mixture of coffee and honey. I’ve barely slept. I’ve cried to you over the phone about becoming one of those people driven to great lengths to escape their thoughts, my mind hasn’t shut down for weeks. The alcohol leaves me wasted and nothing more. Their endless comments have yet to cease, not so much an energy I don’t have control of, but more of an addiction I can’t come off of. You are entirely too innocent and even though you are here I am still entirely too alone. And yet they won’t leave me alone.


Notes: I know some of these entries were not meant for anyone else to see, so it’s really hard to sit here and type them. This one seems especially…I don’t know, full of hyperbole? I was working on The Whore around then, so I am sure my muse was especially active during this time. I’m pretty sure it was also during this time that I was learning if she wanted something created, it had to be immediately or she would haunt you until it was finished. I dragged The Whore on, as I do with some of my more cherished works, miserably for six months.

Matt was the leprechaun, as he is known in retrospect, it was through dating him that I lost interest in high heels. He was short, into 3-d animation, screaming hybrids of hard rock and Christian music (as in singing…or screaming, not listening) and cannonball adderley, of which I still have a CD he burnt for me.He was full of Christianity and anger at his ex-girlfriend which ultimately made everything, complicated.

The office was in a triangular building at Liberty Avenue and Smithfield, the cafe was in the Barnes and Nobles up the way. Funny thing, I still have days where I live off of tea and honey. I’m cutting back in my old age.

This page is followed by another figure study for “The Red Coat” aka “The Whore”

02-05-09

Isabella Street: Approaching Wood Street


The Whore by ~myshelleyg on deviantART

Bus Stop.

It’s 11:10 at night, willing away the 2.5 glasses of chard and 1.5 shots of whiskey that didn’t ease away the pain. Cold night chills the sun. Could doubt chills my soul, brings tears to the eyes. Waiting patiently for the fucking train. Never comes.

11:11

Bargaining. If it doesn’t come by 11:15 I go back up the stairs to mainstreet and hit the local pub. Marriage or pub, marriage or pub. Which will it be?

11:12

Darkness down the line bings no hope. A high ball of Jack and Coke before a lousy 6 hours of sleepand lonleyness throughout or

11:14

Do I meet him at the station? Sit down on the cold, steel bench and make amends

11:15

You are not the one. I needed you so badly to be the one. A train passes in the opposite direction. I could waste 40 minutes waiting fo it’s return journey, catch it on the inbound. Could waste 6 months on nothing.

11:16

A train comes inbound, one minute short of true happiness, one minute short of faith. I jump on and head downtown. Towards you, waiting ten minutes too late for me and my dunken stupor. Ten minutes too late for me and my idiotic tendencies.

19 stops to you. “Approaching Potomac.” 18. 18 stops to you. Your icy, glass eyes. 10 minutes late but you, you are 15. 15 minutes late.

I imagine we will kiss on the bridge, much like the night before. $100 on my ring, $100 on yours. I’ll buy the crazy dress from the shop on the way to the station. We will celebrate on my grandfather’s farm, long since state property and the home to hundreds of weddings.

“Approaching Coast.” 12 stops. 12 stops till I meet you in the dark, icy “T” station and hand you back your sweatshirt. 12 stops until I jump the train back home, outbound.

“Approaching Fallowfield.” 11 stops. Halfway between fairytale and losing a friend. I blame this on you. If it weren’t for you I wouldn’t have hung honey off of my tongue. Wouldn’t have started this madness that has left me exhausted and numb, heading in bound on a trip destined for failure before it was ever conceived.

An old man sits down in front of me. The smell of old cigarettes wafts across the ways. He gets off as quickly as he enters, a figment of my drunken disillusions.

“Approaching Station Square.” Four stops to you. My drunkeness giving way to slow, mind consuming exhaustion. I die to taste your lips upon mine once more, feel your body lifting through your clothes and pressing against mine.

First Avenue and two. Steel Plaza and one. The driver bids good night to the patron exiting, dressed in black. The city is lit in the backdrop, lights pooling across the top of the water. We dissapear underground and all is lost to me.

“Approaching Wood Street.”

Notes: I’m not entirely sure who this was written about, it’s followed by a rough match stick figure study for what I was calling “The Red Coat” at the time. This was later renamed “The Whore” Which is above. I’ll try to get these scanned and posted. Looking further ahead in the journal, it may be from my relationship with a leprechaun.

02-05-09

Isabella Street: Boy Owner

I stood int eh bookstore today biting my lip. I staired at the shelf in front of me, shifting my weight from on leg to the other. My eyes rolled along the vertical titles under the brown sign that read “Relationships.” I stared through squinted eyes, anxiety building, looking for the illusive guide on how to care for a boy. They had guides for dog owners, cat owners, and fish owners. How to water, feed and groom. I figured someone, somewhere had to have one on boys. Extremely skittish, I turned on my heel and headed towards the man of my life, of the hour, Kerouac–an isle which made me extremely less nauseated.

02-05-09

Isabella Street: An Introduction

I have been digging through my stacks of brown leather journals for fodder for a potential chapbook or two and decided to transcribe them digitally and share with you. The first one I gabbed, but certainly not the first in the series is one with the words “Isabella Street” which I think is the avenue behind the Alcoa Building in Pittsburgh. It also has a few notes including: “December 18th: Bing Food, Last Day,” “Moms Birthday”, “Paul: December 3″ (his birthday) and the card numbers to an old Visa of mine expiring in 08/06. This makes me think it was from around late fall and winter of 2003/2004. Also scribbled: a friend of mine’s address and the AIM screen name of another.

It starts with a quote:

“The world does everything wrong on purpose–then why ever give it further considerations” Kerouac, Some of the Dharma)

Some of it might offend, if so I apologize for exposing you to it, but not for writing it. Some of it might be written about you, if so I hope you bring away something more than you went in with. Anytime I refer to the “voices” I mean the muse and ideas that bombarded me during that time and not the kind of voices schizophrenics have tea with.

Most of it revolves around the trolley, the city and many, many wonderful people of whom I am still very, very, very much in love with today.